“Lobo  Feroz is a +=*loose, r  e/vitali?;:sed ad$apt
+*ation of B%ig Bad =Wolve^.s. There %#we[r;!!e many ,!%chan-ges that `=!we ma:de
] when. you c(+ompare% i$t to the o?^ rig.\`inal,;, g iven that )we add ed= new ch[;aract-) ers, plot stran]+ ds_ and$ locations,?], and _we introduce)`?d and fl.\esh_ed out new% them[*(es$#. teetering between dark comedy a;nd p^.?olic e -.;t/hriller. The film questions one’s(*;- princ?iples, human behaviour /and ho,)w ambiguo*us it[## can be,” the director explained to Cineuropa.( (“I’m very happy to be a;^ble_;, to wo^?rk with a*: drea_\m Spani@[s*;^h cast, wh$ere every* :one; demons^ t*rates the(.!ir enormou s talent.\ (?an\/[d commitment in every scen^=e an,d[@ throu!^gh eve)(ry(; %singl@e detail.”　,_　The screen_ p ,lay for the ,movie –/- /written. by J -+uan Man%uel Foode Roma and@@ -Eva María   ,A l`ons/o
) Moreno –]^* follows
 a ,!police office[r on  the fr/inges of the l #aw and a woman seeking rev\ enge. Thei^r paths cross, as they are obsessed with discove/[ring the
iden_tity of the murderer b- ..@e/hi#!+?n% d a  string of bruta`l c=rimes involving vari$
ous^` gi@[:rls. They are both w=illing t[_o do,# wha !tever_ ,-/it takes)!)] to /;_ s*ec:)ure a confess!io]n, even th`_ =ough they w ill have to take the law into t@ ]he;,!?]ir own_ : hands in orde%-r to do so. At ]t$ he @ same tim-;]e,?
a model dete/ ;ctive wil$l do@[]) his$[ utmost to a$!void/ i-]#r$rep(]^@arab$le erro. ,rs bei$ng m(#*ade ,;and .@to ensure?? that ;thi!s d/`esperat,e search for t*he t-[ruth does not transfo rm int@?`o the fierce[.st of w=/o)]%lves.